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Camera Lenses comparison

Compare camera lenses by focal length, aperture, weight, mount, and stabilization.

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Editor’s picks · Algorithmic

Best camera lenses right now

Category buying guide

What matters when comparing camera lenses

This camera lenses page covers 17 products and compares the measurable fields that most often separate one model from another: min focal, max focal, weight, lens mount, weather sealed. Use the filters to narrow the field, open a product page for the complete readout, and use a head-to-head page when two models are close enough that a category-wide rank is not enough.

How to read the ranking

Mars Score is a normalized category score, not a laboratory replacement and not a claim that the highest-ranked product is right for every buyer. A high score indicates broad strength across the weighted fields; a lower score can still be the better choice when one specific requirement matters more than the average.

Read the scoring methodology →

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Canon - RF 100-500mm f/4.5-7.1L IS USM vs Tamron - 150-500mm f/5-6.7 Di III VC VXDCanon - RF 100-500mm f/4.5-7.1L IS USM vs Sigma - 85mm f/1.4 DG DN ArtCanon - RF 100-500mm f/4.5-7.1L IS USM vs Sony - FE 70-200mm f/2.8 GM OSS IICanon - RF 100-500mm f/4.5-7.1L IS USM vs Voigtländer - APO-Lanthar 50mm f/2 SECanon - RF 100-500mm f/4.5-7.1L IS USM vs Sony - FE 50mm f/1.4 GMCanon - RF 100-500mm f/4.5-7.1L IS USM vs Nikon - NIKKOR Z 70-200mm f/2.8 VR SCanon - RF 100-500mm f/4.5-7.1L IS USM vs Tamron - 28-75mm f/2.8 Di III VXD G2Canon - RF 100-500mm f/4.5-7.1L IS USM vs Voigtländer - Nokton 40mm f/1.2 SECanon - RF 100-500mm f/4.5-7.1L IS USM vs Sony - FE 24-70mm f/2.8 GM IICanon - RF 100-500mm f/4.5-7.1L IS USM vs Sigma - 24-70mm f/2.8 DG DN II ArtCanon - RF 100-500mm f/4.5-7.1L IS USM vs Nikon - NIKKOR Z 24-70mm f/2.8 SCanon - RF 100-500mm f/4.5-7.1L IS USM vs Sony - FE 16-35mm f/2.8 GM IICanon - RF 100-500mm f/4.5-7.1L IS USM vs Sigma - 35mm f/1.2 DG DN ArtTamron - 150-500mm f/5-6.7 Di III VC VXD vs Sigma - 85mm f/1.4 DG DN ArtTamron - 150-500mm f/5-6.7 Di III VC VXD vs Sony - FE 70-200mm f/2.8 GM OSS IITamron - 150-500mm f/5-6.7 Di III VC VXD vs Voigtländer - APO-Lanthar 50mm f/2 SETamron - 150-500mm f/5-6.7 Di III VC VXD vs Sony - FE 50mm f/1.4 GMTamron - 150-500mm f/5-6.7 Di III VC VXD vs Nikon - NIKKOR Z 70-200mm f/2.8 VR STamron - 150-500mm f/5-6.7 Di III VC VXD vs Voigtländer - Nokton 40mm f/1.2 SETamron - 150-500mm f/5-6.7 Di III VC VXD vs Sony - FE 24-70mm f/2.8 GM IITamron - 150-500mm f/5-6.7 Di III VC VXD vs Sigma - 24-70mm f/2.8 DG DN II ArtTamron - 150-500mm f/5-6.7 Di III VC VXD vs Nikon - NIKKOR Z 24-70mm f/2.8 STamron - 150-500mm f/5-6.7 Di III VC VXD vs Canon - RF 50mm f/1.2L USMTamron - 150-500mm f/5-6.7 Di III VC VXD vs Canon - RF 24-70mm f/2.8L IS USMTamron - 150-500mm f/5-6.7 Di III VC VXD vs Sony - FE 16-35mm f/2.8 GM IITamron - 150-500mm f/5-6.7 Di III VC VXD vs Sigma - 35mm f/1.2 DG DN ArtSigma - 85mm f/1.4 DG DN Art vs Sony - FE 70-200mm f/2.8 GM OSS IISigma - 85mm f/1.4 DG DN Art vs Voigtländer - APO-Lanthar 50mm f/2 SESigma - 85mm f/1.4 DG DN Art vs Sony - FE 50mm f/1.4 GMSigma - 85mm f/1.4 DG DN Art vs Nikon - NIKKOR Z 70-200mm f/2.8 VR SSigma - 85mm f/1.4 DG DN Art vs Tamron - 28-75mm f/2.8 Di III VXD G2Sigma - 85mm f/1.4 DG DN Art vs Voigtländer - Nokton 40mm f/1.2 SE
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Brands in camera lenses

Field guide
What to know about camera lenses

How to choose a camera lens in 2026

The Mars Score for lenses weights optics (55%), build (35%) and mount (10%). Lens choice matters more than camera body for image quality — a great lens on a mid-range body usually beats a kit lens on a flagship. Decide the focal range first, the aperture second, and the mount last (because mount is determined by your body).

Zoom range vs prime aperture

A fast f/2.8 zoom like the Sony FE 24-70mm f/2.8 GM II or Canon RF 24-70mm f/2.8L IS USM covers most events with one lens. Fast primes (Sony FE 50mm f/1.4 GM) trade flexibility for two extra stops of light and shallower depth of field. Filter by focal_min_mm and focal_max_mm to narrow the field.

Weight is the spec photographers regret ignoring

A 1.4 kg lens on a 700 g body becomes painful within an hour. Third-party options from Sigma — the 24-70mm f/2.8 DG DN II Art — often cut 100–200 g off the OEM equivalent at a similar aperture. The weight_g column is the most underweighted spec on most reviews.

Weather sealing and stabilization

If you shoot outdoors year-round, weather_sealed is non-negotiable. has_stabilization (OIS/OSS/VR) matters most for handheld video and low-light stills on bodies without IBIS — see our glossary entry on optical vs in-body stabilization.

Mount lock-in

The mount you buy into is the platform you stay on for 5–10 years. Sony E and Canon RF have the broadest current third-party support; Nikon Z is catching up; L-mount and Micro Four Thirds are smaller but mature ecosystems. See Buyer's Guides for system-level mount comparisons.

How vsMars scores camera lenses

Mars Score for lenses weights optics first — aperture, focal flexibility — then build quality and finally mount. See the methodology page for the full weighting and Mars Labs for sharpness chart bench data.

Reader questions

Frequently asked

How many camera lenses are catalogued on vsMars?+

17 camera lenses from 6 brands are catalogued in this category, each with a complete spec sheet and a transparent Mars Score.

How are camera lenses ranked?+

Each camera lense is scored by the category-specific Mars Score formula — a weighted average of normalized specs with the weights published on the methodology page. No editorial hand-tuning.

Which camera lense has the highest Mars Score right now?+

FE 135mm f/1.8 GM leads the camera lenses category with a Mars Score of 74.3.

Can I compare two camera lenses side by side?+

Yes — pick any two camera lenses from the category list and the comparison page renders side-by-side specs, advantages on each side, and a Mars Score verdict.